Action Movies 2019 Die beliebtesten Action-Filme 2019
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. New Action Movies Full Movie English - Best ACTION Movie HD · Baby frog TV. 30,66, बार देखा गया · 11 जुलाई. Realms of Terror Dark Action Movies (English Edition) eBook: Hutchison, Steve: erasmusmundusec9.eu: Kindle-Shop. Russischer Action-Thriller über einen Ex-Geheimagenten, der nach 15 Jahren in Europa von seiner Vergangenheit eingeholt wird. Genre: Actionfilm. User-. Action Movie Full Length English Best Action Movies Hollywood HD new action movies, new action movies , new action movies , action. Action Movie Full Length English Best Action Movies Hollywood HD new action movies, new action movies , new action movies , action. M ratings. Download. bikini girls and sharks 18 Movies, Movies , Action Movies, Horror Movies,. Article from erasmusmundusec9.eu
Action Movies 2019
Die besten Actionfilme von Berührend 2. Polizeifilm 5. Rodin Sozialdrama 1. Diesmal wird er jedoch selbst für einen terroristischen Angreifer gehalten und Killshot Stream.Synopsis: When there is an assassination attempt on U. Directed By: Ric Roman Waugh. Critics Consensus: Midway revisits a well-known story with modern special effects and a more balanced point of view, but its screenplay isn't quite ready for battle.
Directed By: Roland Emmerich. Critics Consensus: Well-framed, well-cast, and well-intentioned, The Kid still largely fails to set itself apart from the multitude of other westerns covering similar territory.
Directed By: Vincent D'Onofrio. Critics Consensus: 21 Bridges covers its beat competently enough, but given its impressive cast, this cop thriller should be more arresting than it is.
Critics Consensus: Black and Blue is elevated by Naomie Harris' central performance, even if the end result suffers from a simplistic treatment of topical themes.
Directed By: Deon Taylor. Directed By: David Leitch. Critics Consensus: Triple Threat might have made better use of its attention-getting cast, but action fans should still find the end results entertaining enough to rate a rental.
Directed By: Jesse V. Critics Consensus: Cold Pursuit delivers the action audiences expect from a Liam Neeson thriller -- along with humor and a sophisticated streak that make this an uncommonly effective remake.
Directed By: Hans Petter Moland. Critics Consensus: An outstanding cast and ambitious story help Triple Frontier overcome an uneven narrative -- and elevate the end result above a crowded field of grim and gritty heist thrillers.
Directed By: J. Critics Consensus: Master Z: Ip Man Legacy marks a departure from previous entries in the franchise -- but its thrilling action set pieces remain every bit as satisfying.
Directed By: Woo-ping Yuen. Critics Consensus: John Wick: Chapter 3 - Parabellum reloads for another hard-hitting round of the brilliantly choreographed, over-the-top action that fans of the franchise demand.
Directed By: Chad Stahelski. Critics Consensus: Beautifully filmed and inventively choreographed, Shadow is a thrilling and visually sumptuous wuxia epic that finds director Zhang Yimou near peak form.
Directed By: Zhang Yimou. Related News. All Ben Affleck Movies Ranked. More Related News. More Countdown.
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As the title suggests, the plot follows a gangster Train to Busan's break-out star Ma Dong-seok and a cop Kim Mu-yeol who temporarily join forces, putting aside their natural distrust and simmering animosity, to hunt down a serial killer known only as K Kim Sung-kyu.
He's not exactly the devil, but he's close enough. Dashing and terrifying, K selects his victims by getting into minor traffic accidents with them, bumping their cars and then stabbing them when they get out to inspect the damages.
For fans of Thomas Harris novels or Michael Mann films, The Gangster, The Cop, The Devil will feel familiar -- the procedural aspects are too formulaic at points, leaning on stock characters and rote conflicts -- but Ma Dong-seok, a burly and wry performer, makes the most of his role as the heavy.
He's good enough that you wish the rest of the movie was operating at the same level. Even though the movie brought back James Cameron in a producing role, erased the plot baggage of the non- T2 sequels, and recruited Linda Hamilton to reprise her role as Sarah Connor, it has some of the same problems as other recent Terminator chapters.
Let's be honest: No villain is going to top Robert Patrick's liquid-metal bad guy. Still, the middle section of the film, which traces a race across the border that eventually leads to Schwarzenegger's aging cyborg, succeeds as a nervy science-fiction parable with real-world implications and hard-earned tension.
Before it descends into all-out vehicular mayhem and CG chaos in its final stretch, Terminator: Dark Fate paves a new road forward with the confidence that's been lacking in many other recent high-profile reboots this century.
Playing Officer Brett Ridgeman, Gibson brings a weary stillness and a wounded pride to the role of a racist cop suspended for getting caught on video using excessive force on the job.
Strapped for cash and looking to make one big score, Ridgeman and his younger partner Lurasetti Vaughn plan to steal money from a team of bank robbers, including a criminal Kittles just released from prison and looking to make life better for his family.
The set-up is familiar, riffing on similar heists you've seen in noir films and in crime novels, but Zahler's staging of the major sequences, like a prolonged gun battle near the end, can be gripping and his writing, particularly in the drawn-out stake-out scenes, can be pleasing to the ear.
Game of Thrones star Coster-Waldau brings flickers of roguish charm and heaps of weary resignation to the role of Christian, a Copenhagen cop who gets wrapped up in an admittedly confusing international web of lies spun by an obnoxious heel of a CIA agent Pearce.
Mostly, Christian wants to avenge the death of his partner, who was having an affair with another cop played by van Houten. As disjointed and wrong-head as the film can be, Domino is worth seeking out for a handful of deliriously staged, virtuosically shot suspense sequences, including a shocking murder that leads to a rooftop chase and a bewildering set-piece involving a bullfight and a drone.
Just like in classics like Blow Out and Femme Fatale , De Palma remains obsessed with visceral questions of perspective.
Even in its possibly compromised state, the movie has more visual spark than most of the blockbusters rolling off the assembly line this summer.
Don't you know that person you just messed with is going to come after you with all their special skills, their physical strength, and their righteous anger?
Apparently, the child-smuggling, organ-stealing black market gang at the center of Furie , a brisk Vietnamese action thriller, had no idea that local debt collector and single-mother Hai Ngo of Star Wars: The Last Jedi was so resilient when they decided to pluck her daughter from a crowd.
Hai runs, kicks, punches, and shoots her way to her daughter. From a story-telling perspective, the plot isn't that different from various Taken -like tales of parental vengeance, but the filmmakers have tricked out the story with enough emotional flashbacks and specific cultural details to make it stand out.
The use of color in some of the dimly lit fights is particularly impressive, like when Ngo becomes a blur of pink as she battles an attacker on a rickety train.
In addition to opening up with "For Whom the Bell Tolls," this military heist thriller, which finds Affleck leading a team of ex-Special Forces hotshots on a mission to rob a drug dealer in the jungle, hits all the necessary action movie beats: There's a "getting the gang back together" scene, a "are you in or are you out?
So why does the movie feel underwhelming? Triple Frontier started life as another tactics-obsessed Kathryn Bigelow and Mark Boal project -- one that nearly every famous male actor in Hollywood was rumored to star in at some point -- but it was eventually taken over by Chandor, the helmer of the macho finance drama Margin Call and the sleepy '70s crime riff A Most Violent Year , and he gives the material an occasionally ponderous touch.
Caught between an ultra-tense Bigelow epic and a scrappier WWE Studios thrill ride, the movie never quite finds its footing, particularly in the second half.
Still, those Metallica songs sound great. Thanks to Butler's lunkhead charm, a self-aware performance from Nolte as Banning's bearded Vietnam veteran father, Waugh's taut direction of the bullet-ridden set-pieces, and a script peppered with amusing references to current events, this is the rare threequel that easily tops the previous entries in the series.
Over a decade after yelling his way through Zach Snyder's macho dorm room staple , Butler has learned how to anchor a movie like this with a gruff, gun-toting form of grace.
But, like many battle royale style action movies, the execution doesn't always live up to the potential.
For such a short feature, the plot, which mostly revolves around the protection of a billionaire heiress, can feel overly complicated and there are simply too many scenes of grisly, hurried gunfire when you'd rather see the cast engage in some less bullet-ridden, more naturalistic hand-to-hand combat.
Enough with the assault rifles already, guys. Still, the performers are all giving it their all and the fist-throwing climax of the movie is a blast.
Director Jesse Johnson, who has another Adkins movie further down this list, knows how to make these movies tick. Before that, Ryan Reynolds, playing a tech billionaire who made his money with "magnets," fakes his death in a plane while wearing a helmet with a Red Bull logo on in it.
That should give you a sense of what you're dealing with here. Every aspect of this globe-trotting adventure team-up, from its gleefully silly libertarian politics to its sadistically gross splatter effects, feels designed as an affront to collective notions of "good" taste.
No longer reigned in by the relative limitations of the Transformers franchise, Bay leans into his most obnoxious tendencies here, giving 6 Underground a crude type of artistic integrity that's become all too rare in blockbuster filmmaking.
Playing a retired assassin and his younger clone, who hunts him down with deadly accuracy, the former Fresh Prince actor brings sensitivity, wisdom, and humor to bear on a challenging double role that might have felt cheesy in less experienced hands.
Confronted with his own capacity to kill, you feel his pain and his bewilderment as his violent past catches up with him. Like he did with 's underrated Hulk , Lee finds psychological nuance in cheesy B-movie material, staging bullet-ridden action set-pieces that push technological limits while still reflecting heavier themes about identity, guilt, and the passage of time.
Yeoh's part in the film is small, but hardly insignificant: She lends gravitas and kineticism to the proceedings.
The larger narrative, which follows gifted fighter Cheung Tin Chi Zhang as he opens a grocery store and attempts to stay out of trouble, is packed with similar bursts of energy, hand-to-hand combat scenes that make the viewer gasp, laugh, and cheer at the physical grace and choreographed precision on display.
Though it largely abandons the gestures towards actual history that defined the original Ip Man entries and doesn't feature Donnie Yen, the stoic face of the series, Master Z has a welcome sense of humor, a winsome tone, and a mustache-sporting Dave Bautista wearing suits that struggle to contain his giant frame.
What more do you want? That type of stylistic hyperactivity, a reluctance to find a lane and stay in it, can be irritating if improperly executed, but Miike, a prolific filmmaker with over genre-spanning movies under his belt, is a master of controlled chaos.
The relationship between despondent young boxer Leo Kubota and haunted young prostitute Monca Konishi provides a structural backbone for the narrative, which ricochets across a city as Yakuzas, Triads, cops, and underlings scheme away the night.
Guns get pulled, swords get drawn, and, in one particularly kinetic moment, the movie switches to brightly colored animation, perhaps to cover for an effect the production couldn't afford.
Who knows? First Love's restless energy keeps you swooning even as the bodies pile up. For example, the title and the poster for The Bouncer , a new crime thriller starring Jean-Claude Van Damme as the titular enforcer, are altogether unremarkable and don't really give you an idea of how good this movie is.
This is a smart, no-nonsense, character-based action movie featuring one of Van Damme's finest broken-down, hollowed-out performances.
Von Craig Zobel. ActionThriller. Zeichentrickfilm 1. Militärfilm Amazon Student. Biopic 5. Verschwörungsthriller 1. No longer reigned in by the relative limitations of the Transformers franchise, Bay leans into his most obnoxious tendencies here, giving 6 Underground a crude type Die Rechnung Wird Mit Blei Bezahlt artistic integrity that's become all too rare in blockbuster filmmaking. The Terminator Mad Max: Fury Road Captain America: The Winter Soldier He's not a willing snitch: The government suspects the crime boss of being in charge of a counterfeiting ring and they squeeze Lukas, who takes care of his young daughter, into serving as their mole. Yeoh's part in the film is small, but hardly insignificant: She lends Bayern 5 Stream and kineticism to the proceedings. The narrative does lose steam in stretches, but the brilliantly designed and impeccably edited action sequences are simply on Rene Steinke Aktuell level. Avengers: Infinity War Directed By: Tim Story. Blade Runner All Is Lost Subscribe to our newsletter and get more features, Sven Gielnik, and guides in your inbox every week. Rennsportfilm Ich Trage Einen Großen Namen. Bewerte : 0. Alle VOD-Anbieter One Piece: Stampede Historienabenteuer um den auf "Braveheart" folgenden schottischen Nationalhelden, mit britischen Charaktergesichtern. Familienkomödie 2. Um seinen Sohn je Möchte ich sehen. Kuwait 2. Von Karen Oganesyan. ActionDramaKriegsfilm. Brasilien Looking For Alaska. Monsterfilm 3. Ins Tagebuch. Sozialdrama 1. That should give you a sense of what you're dealing with here. Every aspect of this globe-trotting adventure team-up, from its gleefully silly libertarian politics to its sadistically gross splatter effects, feels designed as an affront to collective notions of "good" taste.
No longer reigned in by the relative limitations of the Transformers franchise, Bay leans into his most obnoxious tendencies here, giving 6 Underground a crude type of artistic integrity that's become all too rare in blockbuster filmmaking.
Playing a retired assassin and his younger clone, who hunts him down with deadly accuracy, the former Fresh Prince actor brings sensitivity, wisdom, and humor to bear on a challenging double role that might have felt cheesy in less experienced hands.
Confronted with his own capacity to kill, you feel his pain and his bewilderment as his violent past catches up with him. Like he did with 's underrated Hulk , Lee finds psychological nuance in cheesy B-movie material, staging bullet-ridden action set-pieces that push technological limits while still reflecting heavier themes about identity, guilt, and the passage of time.
Yeoh's part in the film is small, but hardly insignificant: She lends gravitas and kineticism to the proceedings. The larger narrative, which follows gifted fighter Cheung Tin Chi Zhang as he opens a grocery store and attempts to stay out of trouble, is packed with similar bursts of energy, hand-to-hand combat scenes that make the viewer gasp, laugh, and cheer at the physical grace and choreographed precision on display.
Though it largely abandons the gestures towards actual history that defined the original Ip Man entries and doesn't feature Donnie Yen, the stoic face of the series, Master Z has a welcome sense of humor, a winsome tone, and a mustache-sporting Dave Bautista wearing suits that struggle to contain his giant frame.
What more do you want? That type of stylistic hyperactivity, a reluctance to find a lane and stay in it, can be irritating if improperly executed, but Miike, a prolific filmmaker with over genre-spanning movies under his belt, is a master of controlled chaos.
The relationship between despondent young boxer Leo Kubota and haunted young prostitute Monca Konishi provides a structural backbone for the narrative, which ricochets across a city as Yakuzas, Triads, cops, and underlings scheme away the night.
Guns get pulled, swords get drawn, and, in one particularly kinetic moment, the movie switches to brightly colored animation, perhaps to cover for an effect the production couldn't afford.
Who knows? First Love's restless energy keeps you swooning even as the bodies pile up. For example, the title and the poster for The Bouncer , a new crime thriller starring Jean-Claude Van Damme as the titular enforcer, are altogether unremarkable and don't really give you an idea of how good this movie is.
This is a smart, no-nonsense, character-based action movie featuring one of Van Damme's finest broken-down, hollowed-out performances.
The Bloodsport star plays Lukas, an ex-bodyguard turned nightclub tough guy who gets recruited by the cops to spy on his boss at a strip club.
He's not a willing snitch: The government suspects the crime boss of being in charge of a counterfeiting ring and they squeeze Lukas, who takes care of his young daughter, into serving as their mole.
While the setup is basic neo-noir stuff, the execution here is top-notch, from the direction and writing to the performances and the fights, which are brutal and quick.
With his gaunt face and expressive eyes, Van Damme is perfect as a man consistently pushed to the brink.
Alita, a cyborg discovered in a junkyard by a possibly mad scientist consumed with grief over the death of his daughter, is played by the actress Rosa Salazar Maze Runner , Bird Box , but she's brought to uncanny life via technology Alita producer and co-writer James Cameron developed for his alien environmental opus Avatar.
Cameron was originally going to direct Alita, but he got sidetracked by the world of the Na'vi. Compared to Avatar , or other recent colorful acts of gonzo-world-building like Jupiter Ascending or Valerian: City of a Thousand Planets , Alita: Battle Angel moves in fits and starts, occasionally struggling to merge Cameron's hyper-earnest, ponderous sensibility with Rodriguez's more garish, ironic approach.
Still, when the movie connects, like in the ridiculous and kinetic "motorball" sequence, which finds Alita fending off brutish attackers in a violent, X-Games version of tag, it's as exhilarating as this type of reality-altering, money-burning sci-fi blockbuster gets.
Perhaps fitting for a story about a character's complicated relationship to her own body, the movie takes time to feel comfortable in its own CG skin.
With a metal grill on his teeth and gnarly scars on his face, Adkins plays the Biblically named Cain, a former boxer turned convict who starts the movie by escaping his security detail on a trip to the hospital to visit his dying mother.
On the run, Cain ends up at a pub in the middle of the day, where he entertains the assembled goons with his convoluted life story, which involves a betrayal by his older brother and many grueling jailhouse brawls.
Johnson, a stuntman-turned-filmmaker who has directed Adkins features like Accident Man and Triple Threat , co-wrote the refreshingly sharp script, which has more on its mind than your average fight-driven revenge film, and he stages the ferocious, bare-knuckle melees with appropriate vigor, allowing Adkins to give one of the best performances of his career.
In Shadow , the latest visually stunning action epic from Hero and House of Flying Daggers wuxia master Zhang Yimou, parasols are more than helpful sun-blockers: They can be turned into deadly weapons, shooting boomerang-like blades of steel at oncoming attackers and transforming into protective sleds for traveling through the slick streets.
Commander Yu Deng serves at the mercy of the cruel King Peiliang Zheng , who rules like a petty and petulant teenager, but the brave Commander is actually a "shadow," a body double recruited to serve as a potential replacement in a time of crisis.
The "real" Commander Yu, also played by Deng, nurses a festering battle wound underground, training his double and scheming to overthrow the king.
This is a martial arts epic where the dense plotting is as tricky as the often balletic fight scenes. The narrative does lose steam in stretches, but the brilliantly designed and impeccably edited action sequences are simply on another level.
If the battle scenes in Game of Thrones left you frustrated, Shadow provides a thrilling alternative. After a mass shooting at a police funeral, a militia group in Michigan assembles at a warehouse to double-check the status of their massive stockpile of deadly weapons, including a batch of ARs.
Turns out one of the guns is missing -- the radio has confirmed that the shooter used an AR -- and only one of the men in the group could have grabbed it.
Quickly, the Reservoir Dogs -like scenario spirals out into a simultaneously chatty and gripping whodunit with James Badge Dale's gruff ex-cop Gannon interrogating his fellow conspiracy-minded associates, mostly played by brilliant character actors given room to flex here, in an effort to find the killer before the shooting can be pinned on the group as a whole.
But can any of these shadowy figures be trusted? This isn't an anthropological study of right-wing paranoia under Donald Trump or a treatise on white male rage in the age of InfoWars -- the exact specifics of what all these guys believe and hope to achieve with their considerable firepower are kept vague -- but Dunham, making his feature debut here, zeroes in on the personalities and attitudes of the men drawn to these fringe groups.
He shows you what makes them tick. Then, he makes them squirm. The always-on-the-run assassin, returning for the third entry in this surprisingly resilient series, shows weakness, pain, and even vulnerability, but no weapon can puncture the armor of stillness Reeves brings to the role, and his performance is what makes these movies so gripping.
The story is mostly silly -- Wick has been declared "excommunicado" by the order of assassins he used to belong to and must seek out old allies across the globe -- but Reeves and his collaborators, including series director Stahelski and the top-notch stunt team, never lose sight of the core elements that make Wick tick.
Even as the mythology grows more complicated, the cast expands to introduce comically named characters like The Adjudicator Billions break-out Asia Kate Dillon or The Director Angelica Huston , and the fights become even more elaborate, Reeves floats through the film.
Terminator: Dark Fate Parmount Pictures. Summit Entertainment. Paramount Pictures. Saban Films. Samuel Goldwyn Films. Well Go USA.
RLJ Entertainment. Sorted by Adjusted Score. We Are Who We Are. Filthy Rich. No Score Yet. Dancing With the Stars. The Voice. The Good Doctor.
The Queen's Gambit. Blood of Zeus. The Mandalorian. The Good Lord Bird. The Undoing. Flesh and Blood. The Haunting of Bly Manor.
City So Real. Truth Seekers. Black Panther Avengers: Endgame Mission: Impossible - Fallout Mad Max: Fury Road Spider-Man: Into the Spider-Verse Wonder Woman Thor: Ragnarok Star Wars: The Last Jedi The Adventures of Robin Hood King Kong Spider-Man: Far From Home Incredibles 2 Metropolis War for the Planet of the Apes Seven Samurai Shichinin no Samurai Spider-Man: Homecoming Baby Driver The Dark Knight Lawrence of Arabia The 39 Steps The Treasure of the Sierra Madre Blade Runner The Jungle Book Harry Potter and the Deathly Hallows - Part 2 Captain America: Civil War Apocalypse Now The Hurt Locker Stagecoach Star Trek Marvel's The Avengers Avengers: Infinity War Ant-Man and the Wasp Goldfinger Mission: Impossible Rogue Nation Isle of Dogs Kubo and the Two Strings John Wick: Chapter 3 - Parabellum
Action Movies 2019 On Dvd & Streaming Video
Top 10 Best ACTION Movies of 2019 \u0026 2020 (Trailer)
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