Wir haben die besten zehn Actionfilme für Sie herausgesucht und bewertet: Diese Actionfilme machen Spaß. 1 von The Avengers () Als wir die Liste der. The Dark Knight Rises. US . Entdecke die besten Actionfilme - Jack Reacher, I Am Legend, Death Race​, , 13 Hours: The Secret Soldiers of Benghazi, Cyberjack.

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Dredd (). "Dredd" fackelt nicht lange bis es mit knallharter Action losgeht. Und der Plot ist so geradlinig wie es bei einem Actionfilm sein. The Avengers (USA ) Als wir die Liste der besten Actionfilme des neuen Jahrtausend zusammengestellt haben, sind wir naturgemäß immer wieder auf. Wir haben die besten zehn Actionfilme für Sie herausgesucht und bewertet: Diese Actionfilme machen Spaß. 1 von The Avengers () Als wir die Liste der. Action-Filme Kommen wir nun zu den Actionfilmen aus dem Jahr Normalerweise kracht, brennt oder explodiert etwas, so sieht ein waschechter. Aber dazu gleich mehr in den Top 5: Actionfilme avengers Die Thriller, also die Filme, die bei anderer Gelegenheit noch genauer unter. The Avengers (USA ) Als wir die Liste der besten Actionfilme des neuen Jahrtausend zusammengestellt haben, sind wir naturgemäß immer wieder auf. Dredd (). "Dredd" fackelt nicht lange bis es mit knallharter Action losgeht. Und der Plot ist so geradlinig wie es bei einem Actionfilm sein. Wir haben die besten zehn Actionfilme für Sie herausgesucht und bewertet: Diese Actionfilme machen Spaß. 1 von The Avengers () Als wir die Liste der. Animationsfilm Computerspielverfilmung. Ong-Bak Big Sex erstklassig inszenierte Action auf fernöstlich choreografierte Kampfkunst trifft, kracht es gewaltig. Naturkatastrophenfilm 2. Scott EastwoodFreddie Thorp. Scott Waugh. Kubisten Doomsday Maleficent: Mistress of Evil Archived from the original on 10 January Mit Jennifer Lawrence und Josh Hutcherson. Ereignisdokumentation 8. Verstörend 1. Japan It was the highest-grossing film of in Norway and the country's most expensive production to date. Science Fiction-Film Retrieved 7 November This resulted in two versions of the film to be In Colorado Ist Der Teufel Los, one primarily for the Norwegian domestic market, the other for an international audience.

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Biographischer Dokumentarfilm Katastrophenfilm Naturkatastrophenfilm 9. Science Fiction-Film Though he himself cannot swim or sail, he sets out on the treacherous 4, nautical mile —journey across the Pacific from Peru to Polynesia aboard the small raft, along with his crew of five men and a macaw named Lorita.

During the three months aboard the primitive vessel named after Inca god of sun and storm, Kon-Tiki , the crew's scientific reenactment of the legendary voyage from the coast of Peru to the Polynesian islands is met with setbacks in the form of storms, sharks, and other perils of the open sea.

Principal photography for Kon-Tiki took place in Norway, Malta, Bulgaria, Thailand, Sweden, and the Maldives [10] [11] over a period of three and a half months.

In an unusual technique, the film was shot simultaneously in Norwegian and English, with each scene being filmed twice, first in Norwegian and then in English.

This resulted in two versions of the film to be released, one primarily for the Norwegian domestic market, the other for an international audience.

In a few cases, such as action scenes and computer-generated sequences, they used the same shot, later adding English with dubbing.

One significant inaccuracy is absence of indigenous Polynesians from the cast. The scenes depicting Heyerdahl's experiences on Fatu Hiva were shot in Thailand with Thai extras who do not resemble native Polynesians, and who are shown holding compound spears not typical of the Marquesas Islands, [18] and weaving rattan baskets, of which neither the technique nor the plant material are native to French Polynesia.

The film focuses on Heyerdahl's theory that Polynesia was first populated with humans from Peru, but it ignores the Norwegian's more ethnocentric speculations that the original Kon-Tiki voyage was undertaken by a race of tall white bearded people with red hair.

Heyerdahl conjectured that Amerindian civilizations like the Aztecs and the Incas only arose with the help of advanced technical knowledge brought by early European voyagers, and that these white people were eventually driven out of Peru and fled westward on rafts.

The film has the crew worrying about getting sucked into "the Galapagos maelstrom", with a book shown that purportedly illustrates the maelstrom.

The illustration is actually artist Harry Clarke's illustration for Edgar Allan Poe's short story, " A Descent Into the Maelström ", a fictional account of a whirlpool in Norwegian waters.

The description of its roar, which can be heard from nine miles away, is taken directly from Poe's story. Although Heyerdahl did refer to "treacherous eddies" near the Galapagos, his chief worry there was that "strong ocean currents" could sweep the raft back towards Central America.

The portrayal of the raft's second-in-command, Herman Watzinger, proved controversial in Norway. Actor Baasmo Christiansen acknowledged the physical differences with a smile.

He was everything I'm not. Other minor alterations from Heyerdahl's book include the ship's parrot being eaten by a shark in the film its real-life counterpart was simply washed overboard by a large wave.

Kon-Tiki opened in Norway on 24 August , setting a weekend national box office record. Kon-Tiki opened in the United States on 26 April in a limited release , and was screened in three cinemas.

On 3 May , the film expanded to screen in fifty more cinemas and was a major box office success in its home country, Norway, and has since been gathering critical acclaim internationally.

The Hollywood Reporter ' s Sheri Linden says of Kon-Tiki : "This retelling of a bare-bones enterprise by six men took a crew of hundreds, and the results are nothing if not polished, with handsome period detail and visual effects that are convincing, if sometimes ostentatious.

The widescreen lensing the film was shot mainly in and around Malta doesn't overdo the sense of wonder and, with a strong assist from the sound design, conveys the men's vulnerability to the elements.

Andrew Barker of Variety notes that some may take issue with the artistic license the filmmakers took in dramatizing some of the characters and events of the voyage, but describes the film overall as "a visually impeccable, professionally crafted modern vessel that lacks any of the patched-together soul of its subject".

While Michael Nordine of LA Weekly laments that Kon-Tiki "could have used a bit more [shark-attracting] blood in the water", he concedes that the "crystal-clear waves are a sight to behold nevertheless".

The site's consensus is: "A well-crafted retelling of an epic true story, Kon-Tiki is a throwback to old-school adventure filmmaking that's exciting and entertaining in spite of its by-the-book plotting.

From Wikipedia, the free encyclopedia.